One note on this interview: after the introduction, it begins mid-conversation between Tim and I. We then get into, among other things, the problematic nature of the "ambient" genre label and our increasing disconnect with music. ![]() ![]() Among the stranger aspects of the score is that Tim actually utilized the sounds of Mediterranean cicadas, spending hours trawling through YouTube for the perfect samples before eventually turning them into a sort of Baltic banjo in a Deliverance homage for the regressive, yet future-forward dystopian mythical island state on which the film takes place. ![]() Tim Hecker, one of the leading voices in experimental electronic music (sometimes referred to as "ambient") joins The Film Scorer Podcast! Tim and I primarily talk about his score to the new film Infinity Pool, a psychedelic, nasty ride with an equally wowing, disorienting score.
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